Showing posts with label marketing. Show all posts
Showing posts with label marketing. Show all posts

Wednesday, August 31, 2011

Panel Etiquette

                                      This picture was yanked from my buddy P.J. Schnyder.



“Panels?”
“Yes, panels.” 
“What are those?” 
“Things you should be doing.” 
“Why?”
“Because you are an author.”

It’s the truth.  So many authors think, “Okay, I wrote the book, I got it published, now I just need to sit back and collect royalties.”  Wrong.  Getting published is a very small step in a long list of things you need to do if you want to have a successful career as an author.  What do you need to do after you get published?  Sell yourself.  That’s right.  With the advent of e-publishing, self-publishing, and the YA boom, there are so many people who are published these days that promoting yourself is the only thing that will get you noticed.  What’s one of the ways to do that?

Be on a panel.
That means going to a convention and volunteering to be put up in front of a room full of people to talk about you, your writing, and everything that is related to your writing.  Usually you have other people up there with you.  Usually the people running the convention have designated someone to be the "moderator."  There might be a clock, there might be water, you may have to make your own fire and trap your own lizards.

Once you are put on a panel here are some things to think about.

1.  Make sure you show up.  Don't volunteer to do something and then cop out on it. ESPECIALLY if you are the moderator.  People are coming to see and hear YOU.  The other panelists might sit there waiting for YOU.  And if you show up, people are less likely to like YOU.

2.  Be on time.  Be there when the panel starts.  This might mean investigating where the room you are doing your panel in is BEFORE the panel starts.  Make sure the panel ends on time.  Panels that run over their designated time just make life harder for the next set of panelists.  Bring a watch with you to every convention!

3.  Take care of business before going in.  There is nothing worse for someone trying to concentrate on the panel than someone who is everywhere but.  Arrange your stuff ahead of time, bring a drink, go to the bathroom before coming in, turn off your phone.

4.  Go in with some idea of what the panel is about and how you feel about the topic.  If you are the moderator, make sure you have a clear idea of how you want to run the show.  Make a list of questions or comments that you could make to jump-start a stale conversation.  Often, I've seen moderators set up ground rules at the beginning of the panel.  This may sound childish, but people tend to let down there hair at cons and sometimes that lets their snakes lose too!

5.  Be polite and courteous to your fellow panelists and the people watching the panel.  Wait your turn to speak.  Don't get so passionate about how much you hate sparkly vampires that people make a point to avoid you in the future.

6.  Be professional.  Have your brand face and clothes on.  Treat people the way 'John Doe' the author would talk to people.

7.  Bring your outdoor voice.  I can't tell you how many time I've gone to watch a panel and can't hear the panelist over the heavy breathing of the guy sitting in front of me.

8.  Bring promotional material.  This could be a couple of copies of books, covers, bookmarks, business cards.  Anything people can pick up and take home is good -- preferably it has some way for them to connect to your social networking sites.

9.  Plug yourself.  This is not just fun times talking about your favorite horror scenes.  This is a chance for you to make an impact in the buying habits of those 10-50 people watching you.  Have some kind of mini-pitch lined up.  Usually a moderator will ask panelist to introduce themselves, make sure you introduce your work along with yourself.  Also, try your best to plug your work as you are speaking about the topic.  Don't go overboard by continually picking up your book and saying "buy this."  You want to say things like, "The horror scene in movie X was great because ABC, I wanted to capture that in this particular scene in this particular book.  These are the issues I had."  This type of dialogue is much more interesting and far more likely to get someone curious about your work because it shows you CARE about the work itself, not just selling it.

10.  No matter how much 'that guy' bothers you, don't make it obvious to the onlookers.  There's always that one person who either goes on forever or can't seem to make a point or just argues for the sake of it.  Often you and everyone else in the room want to clobber him, but try to look cool and patient.

11.  On the flip side, don't BE that guy.  Try to give everyone a chance to speak and don't speak until you know what you're trying to say.

12.  Handle jerks in the most diplomatic way possible.  Sometimes people butt heads, it's inevitable.  How you handle yourself in one of these tough situations will be how people remember you in the future.

13.  Give the audience some love.  The people are coming because they are interested in the topic.  Don't forget to let them ask questions or add valuable commentary.  Just because someone gave you a seat at the front doesn't mean you're King of the Panel.

14.  With #14 in mind, stay on topic.  You're all in the same room for a reason.  It's to talk about the panel topic.  Keeping on topic is the moderator's job, BUT if you find the discussion getting off topic and no one is doing anything about it, try to gently steer it back in the right direction.

Thursday, November 19, 2009

Practice Makes Perfect


If it isn't obvious by this point in time that I've hit my "oh, my God I suck as an author" point, well I have. I recently read a blog post by Nathan Bransford an agent who is also a published author. In this post, he talked about how horrible it is to be in the waiting stage of getting published. You're constantly waiting with baited breath for a response. Then, when you finally get one, it's most likely a rejection.

I try to keep in mind that statistically only one out of twenty say yes. The story is: I already had one yes that turned out to be an eventual no and now I'm beating myself up. I keep thinking "if only my first few pages had been more XYZ." So, now I'm progressively going back to the drawing board and rehashing my book (AGAIN).

It's not too bad. I have about six new beta readers and one of them has already given me some very excellent feedback. I'm excited about these new readers because they are all in the age bracket I'm writing for. Plus, at least half of them are die-hard urban fantasy/paranormal fiction readers and two are grammar/literature people.

In addition to my new betas, I'm changing some minor plot details. I'm tightening up a few loose ends and I'm giving the book a couple of new scenes and two new chapters. In the interest of space, I'm cutting out a couple of scenes and chapters as well. The book has a new beginning and a new ending.

I'm changing the title from That Which Lies in Darkness to Lies in Darkness. It's more marketable that way.

In addition to all of that, I'm also going to rewrite my query. I figure there is no harm in trying a different approach to the market. I'm flirting with pitching as young adult, but I can't really see teens understanding some of the concepts and I don't want angry parents thinking I'm converting their children into some cult. We'll see.

My special project for Black Friday is to write a kick-ass summary for the book and maybe, if I'm not dead by the end of my summary, I'll work on a proposal. I'm a little apprehensive about both of these projects. I've never been very good at streamlining detail. I'm known for my ability to retell an hour long movie over the span of an entire day. As for the proposal-well, I haven't written one since Grossman's publishing class and I'm not sure I came out with a glaring understanding of the subtlety of book proposals. But, at least I'm willing to try.

I'm also completely convinced that I need a laptop, a web page, and a vlog account on YouTube.

I'm doing this all while I still have queries floating around and yes, I still consider my book complete. I'm under the general assumption that no good writer ever really lets any one of their pieces get published without that voice in the back of their head saying "I could have made that better" (even after they just spent a year of editing to make it better). If an agent or publisher doesn't like that philosophy I'm not sure if I want to work for them. A writer is always improving and I want someone who understands my desire to grow as a writer and story teller. Plus, I can't see anyone who is in the business getting ticked off at my desire to become more marketable.

Meanwhile, I'm still on strike from both reading and listening to books. I think it's helping. But, I'm suffering from spending far too much time networking with other authors. Now, I want to read their work. Oh well, guess my TBR stack is going to get a lot larger this winter.